Mohabbatein: Directed by Aditya Chopra after the
humungous success of DDLJ, Mohabbatein was set to be the next
blockbuster of the decade. Boasting of a cast that included Amitabh
Bachan, Shah Rukh Khan, and Aishwarya Rai, the film also had six
youngsters who find love and happiness thanks to the almighty powers of
their music teacher Shah Rukh Khan. Even though he doesn’t hold the
violin correctly, he teaches the students enough to learn that music is
about falling in love, and falling in love is what life is all about.
Mohabbatein was also the debut of a young Uday Chopra. Even though
many people saw him on the poster and went “Mohabbat! Aein??”, it was to
be the launch vehicle for the son of the Chopra clan.
But it didn’t take long to notice that acting was neither in his jeans, nor the T-shirt he took off at regular intervals.
The film didn’t perform as well as expected, but Uday was hopeful of a better showing with the next film.
Mere Yaar Ki Shaadi Hai: His next release was a love
triangle that went under the title ‘Mere Yaar Ki Shaadi Hai’. Inspired
from the hit ‘My Best Friend’s Wedding’ – the filmmakers didn’t even
bother to change the title.
Starring Uday Chopra, Jimmy Shergill and Tulip Joshi, the film had
Uday playing the hero’s best friend, who until she sits on the shaadi ka
mandap, doesn’t realise that her heart truly beats for her best friend
and not her lover. The film sank. Tulip withered, Jimmy vanished so much
into the oblivion that people still play the song “Jimmy, Jimmy. Aaja
Aaja” in front of his house in the morning to taunt him. But Uday Chopra
soldiered on.
Charas: His next film was ‘Charas: A Joint
Effort’. Not many understood the word play in the titling there, but
almost everyone understood that the film had nothing much to offer. It
was the time when romantic comedies were seeing a decline in success
rates, and the film, dealing with subjects like drug cartels in Manali,
failed because of some lame acting by its cast. The chief villain,
Irrfan Khan, however would go on to become an actor of repute in the
years to come.
But Uday Chopra would strive on, carving yet another spectacular pillar on the way to his Temple.
Mujhse Dosti Karoge?: Fresh after the intergalactic
success of Koi Mil Gaya, Hrithik Roshan and Kareena Kapoor got together
again, even though the harrowing yaadein of their earlier film
had barely been erased from our minds. Hrithik Roshan and Kareena Kapoor
got together with Rani Mukherjee to star in a film about love and
friendship. Uday Chopra got in through Management Quota, filling the
space of the good guy who sacrifices his love so that the film can get
over and people can go home.
Uday Chopra is paired with Rani Mukherjee, but alas! the fates work
against him. Rumours of Aditya Chopra’s affair with Rani have begun to
float, leaving brother Uday with nothing but a large heart to show. And
he showed more than just a large heart in his next film.
Dhoom:
Touted
to be the relaunch of the Chopra son, the Indian version of Fast and
Furious turned out to be Miscast and Dubious, with Chopra playing a
racer who helps a cop who never catches the culprits.
Some of the lameness of the film was shared by Abhishek Bachhan and
John Abraham, and the slow-motion shots and loud background score. The
highlight of the film was Uday Chopra’s pairing with Esha Deol, who
looked so feminine that the two of them reminded viewers of Jai and
Veeru.
The film, however, was a huge hit, and Chopra’s career got a shot in the arm.
Dhoom 2: The second installment had Uday Chopra
playing the same guy, with Bipasha Basu as his partner. In a
masterstroke of scripting, Abhishek Bachhan and Uday Chopra travel to
Brazil to catch the most dreaded thief in the world. But upon seeing his
love, Bachhan decides to forgive him. Just Like That. He comes back
home empty-handed, in the process waving a huge middle finger to things
like laws, work ethics, and accountability to senior officials. The film
didn’t do much for Uday Chopra’s standing in the industry, though.
Uday Chopra had the customary song in the film, and nothing much
apart from the usual goofing around. This film, again, was a huge hit,
but saying that it was because of Chopra is like giving Sharad Pawar the
credit for India’s World Cup victory.
Pyar Impossible: Paired with Priyanka Chopra, the
only good thing about the film was the realistic title it had. The story
of a geek who falls in love with the class chick and is heartbroken,
only to come back into her life seven years later after inventing the
world’s greatest Operating System which gets stolen when his enemy
copies it from his Pen Drive (I’m serious).
When I first saw the trailer of Pyar Impossible, I chuckled at the
sheer arrogance with which the producers went ahead to make a film from a
story that was written by Uday Chopra. Before the release of the film,
Karan Johar, India’s BIS Halmark on everything to do with Family and
Morals, had this to say about the film,
“It has a subliminal message which is delivered without preaching to a world where people are very physically oriented.”
A team of experts translated the statement into layman terms, and it read something like this:
“I watched the film. It sucks donkey balls. Now someone please pass the Cocaine!”.
Uday Chopra’s wet dream of being a star pretty much dried up after Pyar Impossible flopped. He was no where to be seen or heard, except when people would crack a few jokes.
Teacher: “Give me an example of an Oxymoron.”
Student: “Uday Chopra…LOL”
You almost felt bad for the guy. He tried his best, trying to be a
romantic hero, action hero, and comic hero. And each time, ending up as a
tragic hero. In spite of all his attempts, the fact that he had all the
charm of a water buffalo, worked against him.
The last I heard of him was in a news article, where he told the
reporter that he was having a great time at Las Vegas. In fact, just the
previous night, he had been kicked out of a bar for taking off his
shirt. In response, Uday said, “I was just trying to impress a chick.” (Link).
He also announced that Dhoom 3 was to be his swan song, he would
retire from acting after its release. May be concentrate on film making
and return to haunt the industry after a break of a few years.
********************
Everything was fine till this story surfaced in a column in the newspaper. That Uday Chopra was dating Nargis Fakhri.
I mean, that’s simply not done, man.
Dear Uday Chopra, we as a nation have been kind and tolerant with you.
We have paid money and willingly subjected ourselves to you. We don’t mind if you continue to make films. Reboot it as Mere yaar ki teesri shaadi hai. Release Dhoom – 27. Write and act in Pyar Impossible – 4, like the other franchise with the similar name. We wouldn’t mind in the least.
But, you dating Nargis Fakhri is simply unfair. It’s a cruel reminder
to us, of how ordinary our lives are, and how unfair the world is.
Saturday, February 16, 2013
Home »
» Uday Chopra mohabbat et Mere Yaar Ki Shaadi Hai
0 commentaires:
Post a Comment