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مراد علمدار
هو بطل المسلسل وهو الشخصية الرئيسية فيه. ولد بإسم علي جاندان وكان أبوه محمد قرخانلي. هو رجل مافيا وسياسة، تدعمه الدولة التركية للقضاء على أعداء الدولة والمافيا، وكذلك القضاء على كل من يريد إنهاء أو التقليل من هيبة البلاد. مراد علمدار يواجه في أجزاء المسلسل العديدة عدة أعداء وينجح في القضاء عليهم، ويتم إستهداف الكثير من أحبائه. ينضم مراد بعد ذلك إلى هيئة الختيارية ثم يصبح رئيسها وبعد ذلك يحاول القضاء على حراس المعبد. من أقرب المقربين لمراد هم ميماتي وعبد الحي وجاهد وعاكف، وكذلك منظمة الأمن القومي.
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جاهد كايا أوغلو
اليد اليمنى لمراد، يساعده في أعماله وله دور كبير في المسلسل، بعد إعلان وفاة مراد في الجزء الثامن، يحاول جاهد الدخول في حراس المعبد وينجح في ذلك،ويصبح عضوا مهما معهم ،ولكن في الحقيقة مراد لا يزال على قيد الحياة وجاهد يواصل العمل مع حراس المعبد بناء على أمر من مراد . يتسم جاهد بوسامته وذكائه.
Wednesday, October 31, 2012
Soni Singh in Jhansi Ki Rani..معلومات عن ممتلة ي ملكة جانسي افعةاسمها الحقيقيSoni Singh
Soni Singh in Jhansi Ki Rani..
Soni Singh will don the role of a Vishkanya in Zee TV's Jhansi Ki Rani...
Soni Singh who got popular for playing Jhanvi in Ghar Ki Lakshmi Betiyaan is back with yet another role on Zee TV!!
The actress will be seen donning the avatar of a Vishkanya in Jhansi Ki Rani.
According to our source, "She plays Shwetambara, a Vishkanya who impersonates a rajkumari on behest of Janki Bai. She will be presented by Janki Bai as an ideal bride for Gangadhar Rao (Sameer Dharmadhikari). Janki bai stresses on the fact that Jhansi needs a Rani and since his kundali matches so perfectly with Shewtambra's, he should not waste time. Gangadhar Rao assents to the proposal of Shewtambra in the light of British policies and constant pressure of an heir, but he takes time by requesting Shwetambara to be part of his play as Maneka".
When contacted, Soni Singh says, "I'm thrilled about my new character. I think its going to be very exciting to play the role of a Vishkanya. I have been given a very exotic look replete with long curly hair, large kohl laden eyes and kundan jewellery to suit that era. I just pray that I'm successful in playing the character convincingly.."
Soni Singh's entry spices up Yeh Ishq Haaye..
Star One's Yeh Ishq Haaye will see a new entry in Soni Singh, who plays a successful RJ..
Soni Singh who essayed the role of Dutta's sister in Laagi Tujhse Lagan will be entering Star One's Yeh Ishq Haaye in tonight's episode.
She comes in as a competitor to Manjiri (Srishty Rode) in the radio station.
Our source states, "Soni plays Mallika, a very enterprising girl who is a successful radio jockey. She hosts a popular love show 'Yeh Ishq Haaye' wherein she pops up her love advises to people. With Manjiri also getting in as a RJ, there will be few clashes between the two girls".
We hear that Yeh Ishq Haaye, produced by Panglosean Entertainment will see a complete story change in the coming episodes. The focus point will be the Radio station of Ranbir Kapoor (Anand Suryavanshi) wherein Akshay (Raunaq Ahuja) and Manjiri are working. The new girl Mallika is believed to be the love interest of Ranbir, but the creative team is working on the track as yet.
The buzz is that there will soon be yet another guy entering the show..
We tried contacting Soni Singh, but she remained unavailable.
Soni we hear has started shoot, and her entry sequence will be aired in tonight's episode..
Tune in to see the new refreshing twists in Yeh Ishq Haaye…
R
Tuesday, October 30, 2012
صور تاتيا معلم مانوا ملكة جانسي وايضا قصة حايتها روعة
Jhansi ki Rani with english translation- Shubhadra Kumari Chauhan
budhey Bharat mein aayee phir se nayi jawani thi,
gumee huee azadi ki keemat sabney pehchani thi,
door phirangi ko karney ki sab ney man mein thani thi.
Chamak uthi san sattavan mein, yeh talwar purani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Kanpur key Nana ki muhn boli bahen chhaveeli thi,
Lakshmibai naam, pita ki woh santaan akeli thi,
Nana key sangh padhti thi woh Nana key sangh kheli thi
barchhi, dhal, kripan, katari, uski yehi saheli thi.
Veer Shivaji ki gaathaayen uski yaad zabani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Lakshmi thi ya Durga thi woh swayan veerta ki avatar,
dekh Marathey pulkit hotey uski talwaron key vaar,
nakli yudh-vyuh ki rachna aur khelna khub shikar,
sainya gherna, durg todna yeh they uskey preeya khilwad.
Maharashtra-kul-devi uski bhi aaradhya Bhavani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Huee veerta ki vaibhav key saath sagai Jhansi mein,
byah hua ban aayee Rani Lakshmi bai Jhansi mein,
rajmahal mein baji badhai khushiyan chhaee Jhansi mein,
sughat Bundelon ki viroodaavalee-si woh aayee Jhansi mein.
Chitra ney Arjun ko paya, Shiv sey mili Bhavani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Udit hua saubhagya, mudit mahalon mein ujiyali chhayee,
kintu kaalgati chupkey-chupkey kali ghata gher laayee,
teer chalaaney vaaley kar mein usey choodiyan kab bhaayee,
Rani vidhva huee hai, vidhi ko bhi nahin dayaa aayee.
Nisantan marey Rajaji, Rani shok-samani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Bujha deep Jhansi ka tab Dalhousie man mein harshaaya,
Raajya hadap karney ka yeh usney achhaa avsar paaya,
fauran fauj bhej durg par apna jhandaa phehraya,
lawaris ka waris bankar British Raj Jhansi aaya.
Ashrupurna Rani ney dekha Jhansi huee birani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Anunay vinay nahin sunti hai, vikat shaasakonki maaya,
vyapari ban daya chhahta tha jab wah Bharat aaya,
Dalhousie ney pair pasaarey, ab to palat gayee kaaya
Rajaon Nawwabon ko bhi usney pairon thukraaya.
Rani daasi bani, bani yeh daasi ab Maharani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Chheenee rajdhani Dilli ki, Lucknow chheena baaton-baat,
Qaid Peshwa tha Bithur mein, hua Nagpur ka bhi ghaat,
Udaipur, Tanjore, Satara, Karnatak ki kaun bisaat?
jabki Sindh, Punjab Brahm par abhi hua that vajra-nipaat.
Bengaaley, Madras aadi ki bhi to vahi kahani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Rani royee rinvason mein, Begum gum se thi bezaar,
unkey gehney kapdey biktey they Calcutta key bazzar,
sarey aam nilaam chhaptey they angrezon key akhbar,
"Nagpur key zewar le lo, Lucknow key lo naulakh haar".
Yon pardey ki izzat pardesi key hath bikani thi
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Kutiya mein bhi visham vedna, mahalon mein aahat apmaan,
veer sainikon key man mein tha apney purkhon ka abhmaan,
Nana Ghunghupant Peshwa joota raha tha sab saamaan,
bahen chhaveeli ney Ran-Chandi ka kar diya prakat aahvaan.
Hua yagna prarambh unhey to soyee jyoti jagani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Mahalon ney di aag, jhonpdi ney jwala sulgayee thi,
yeh swatantrata ki chingari antratam sey aayee thi,
Jhansi cheti, Dilli cheti, Lucknow laptey chhayi thi,
Merat, Kanpur, Patna ney bhari dhoom machayi thi,
Jabalpur, Kolhapur, mein bhi kuchh hulchul uksani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Is Swatantrata Mahayagna mein kayee veervar aaye kaam,
Nana Ghunghupant, Tantya, chatur Azeemullah sarnam,
Ahmedshah Moulvi, Thakur Kunwar Singh, Sainik Abhiram,
Bharat key itihaas gagan mein amar rahengey jinkey naam.
Lekin aaj jurm kehlati unki jo Qurbani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Inki gaatha chhod, chaley hum Jhansi key maidanon mein,
Jahan khadi hai Lakshmibai mard bani mardanon mein,
Lieutenant Walker aa pohoncha, aagey bada jawanon mein,
Rani ney talwaar kheench li, hua dhandh asmanon mein.
Zakhmi hokar Walker bhaga, usey ajab hairani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Rani badhi Kalpi aayee, kar sau meel nirantar paar,
ghoda thak kar gira bhoomi par, gaya swarg tatkaal sidhaar,
Yamuna tat par angrezon ney phir khayee Rani sey haar,
vijayee Rani aagey chal di, kiya Gwalior par adhikar.
Angrezon key mitra Scindia ney chhodi rajdhani thee,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Vijay mili, par Angrezon ki phir sena ghir aayee thi,
Abkey General Smith sammukh tha, usney munhki khayee thi,
Kaana aur Mandra sakhiyan Rani key sangh aayee thi,
Yudh kshetra mein un dono ney bhari maar machayi thi.
par peechey Hughrose aa gaya, Hai! gheeri ab Rani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
To bhi Rani maar kaat kar chalti bani sainya key paar,
kintu saamney naala aaya, tha woh sankat visham apaar,
ghoda adaa, naya ghoda tha, itney mein aa gaye avaar,
Rani ek, shatru bahuterey, honey lagey vaar-par-var.
Ghayal hokar giri Sinhni, isey veer gati paani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Rani gayee sidhaar chita ab uski divya sawaari thi,
mila tej se tej, tej ki woh sachchi adhikaari thi,
abhi umr kul teis ki thi, manuj nahin avtaari thi,
humko jeevit karney aayee ban Swatantrata-naree thi,
dikha gayee path, sikha gayee humko jo seekh sikhani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
Jao Rani yaad Rakhengey yeh krutagna Bharatwasi,
yeh tera balidaan jagavega Swatantrata avinasi,
hovey chup itihaas, lagey sachchai ko chahey phansi,
ho madmaati vijay, mitaa dey golon sey chahey Jhansi.
Tera Smarak tu hi hogi, tu khud amit nishaani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.
The Queen of Jhansi)
1
The throne got shook, and the tension erupted among the Raajvanshs, the royal heirs of the throne,
In aged India, a new wave of youth was spreading,
All the inhabitants of India had realized the worth of their lost freedom,
All of them had decided to get rid of the British rule,
The old swords started glittering again like new ones in the form of the freedom movement in 1857.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
2
She was as dear to the Nana (Nana Ghunghupant ) of Kanpur as her real sister,
Her name was Laxmibai and she was the only daughter of her parents,
She had been with Nana from her early childhood, since she was a school student.
Spear, knife, sword, axe (all different types of weapons used in her time) were her companions all the time.
She had learned by heart the valorous stories of shivaji (a renowned king of Maharashtra).
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
3
No one could guess whether she was Laxmi or Durga devi ( Durga Goddess , also called Bhavani ) or reincarnation of Devi durga,
Her expertise in using a sword made the people of Marathward (Pulkit) wonder,
They learned the war strategy of how to attack the prey,
To ambush her prey and to break the vanity were among her favorite supports,
Maharashtra-kul-Devi (The goddess of the Maharashtra ) was as dear to her as Bhavani (Durga Devi )
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
4
With valor in a grand festival, she got married in Jhansi,
After her marriage, Laxmibai came to Jhansi as a queen with shower of joy,
A grand celebration took place in the royal palace of Jhansi. That was a good luck for Bandelos that she came to Jhansi,
That was as Chitra met with Arjun or Shiv had got his beloved Bhavani (Durga).
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
5
She came as a good luck to the royal palace of Jhansi and for a log time the palace remained decorated with lighting candles in celebration.
But as days passed the dark clouds of misfortune covered the royal palace.
She stopped wearing bangles for that was the time for a battle.
The queen got widowed and her fate was very unkind to her.
The royal king had no children when he died and the queen was grief stricken.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
6
So the candle of the royal castle blew off and Dalhousie (a British governor) became very happy in his heart about the situation (that the royal palace had no king or someone strong to defend the throne).
He thought that the time was right to usurp the kingdom.
He sent his soldiers to Citadel and raised the British flag on the royal palace.
The British rule came to Jhansi as the guardian of an orphan.
The Rani saw everything with tears in her eyes that how Jhansi got deserted.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
7
Strong (and Cruel) kings do not care about the cajoling.
They (The British Rulers) came to India in the disguise of poor merchants.
The British governor (Dalhousi) then extended his influence in India and so the fate of India turned over.
He insulted even the feudal and heads of state of India.
The queen took the gesture of a maidservant; the maid was the real queen.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
8
First of all Indian rulers lost the capital of India, Delhi and subsequently they lost the control of Lucknow.
Peshwa was imprisoned in Bithur and then the Nagpur tragedy occurred.
After the fall of Nagpur, it was not a big task for the intruders to take the control of Udaipur, Tanjore satara and Karnatak.
They already had the control of Sindh, Punjab and Assam.
The tale of fall of Bengal, Madras and many other states was also the same.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
9
Rani(the queen) wept in her quarter for all that disaster. She was rather lost and was sick of the situation.
Her ornaments and royal clothes were being sold in the markets of Calcutta.
The advertisements for the sale of the royal stuff were being published in the daily newspapers of the British Government.
“Buy the ornaments of Nagpur, Buy the Naulakha locket of Lucknow” had been the highlights of such advertisements.
In this manner the honor of the royal ladies had to be sold to foreigners.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
10
The cottages of poor were full of grief and the royal houses were also full of insult (the royal ladies were maltreated and insulted by the British intruders whereas the poor folk were also in the clutches of the atrocities by the British rulers).
Brave soldiers of India had in their mind the prestige of their ancestors.
The name of Ghunghupant and Nana, the titles of the great warriors and their weapons, they have lost all such treasure as well.
The beloved sisters of Nana (queen of Jhansi- Rani) invited Nana to visit Ran-Chandi.
The ritual of the holy war of freedom started because they had to awake the divine spirit of the people of India, which had been sleeping so far.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
11
The fire of revolt started from royal palace, which became hot like burning sun when reached to the houses of the poor or common folk.
This spark of freedom started from the inner soul of the people.
It captured Jhansi first then spread in Delhi and also engulfed Lucknow.
The freedom struggle was also in full swing in Merat, Kanpur and Patna.
The people of Jabalpur, Kolhapur were also being inspired from others.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
12
In that great freedom struggle, many brave brothers lost their lives.
Among them were Nana GhunGhupant, Tantya, great Azeemullah,
And many others like Ahmedshah Moulvi, Thakur Kunwar singh, Sainik Abhiram.
Their names will always be shining in the heavens of the ancient history of India,
but they were considered rebels at that time and their great sacrifice was considered a crime against the state of British India.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
13
Well, leave the tale of the bravery of those great men and let us go to the battlefields of Jhansi,
Where Laxmibai is standing boldly like a man among the other brave men.
Lieutenant Walker reached there and proceeded further in the people’s army of the brave men,
Rani drew her sword, the beating of the drums started in the heavens,
Walker ran away from the battlefield as Rani defectively wounded him. He was astonished on the agility of Rani.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
14
Rani preceded further and reached Kalpi after taking a hard journey of hundreds of miles.
The horse got exhausted and fell to the ground and the rider (Walker) also fell down immediately .
In the field of Yamuna again Rani was defeating the British.
The victorious Rani proceeded further and took the control of Gawalior.
The British thus left the Vsindia (capital of Gawalior) and their rule ended in Gawalior.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
15
Although the freedom fighters had won, the British army was again getting organized. This time, general smith was in command but he was also being defeated by the brave freedom fighters – he had to be defeated.
Kaana and Mandra (the associates of Rani) were also accompanying her in the war zone. In the battlefield they both were fighting furiously.
But a British commander, Hughrose came from the backside to help his soldiers – Alas! The British soldiers surrounded the Rani from all sides.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
16
Though Rani was deeply wounded, still she was fighting and had managed to get through the British army,
But she got stuck because a sewerage canal was there on the other end and she was in deep trouble,
Her horse got stuck there - the horse was untrained, in the mean time, the British soldiers, riding on their horses reached there.
Rani was all alone while enemies were numerous who were attacking her with their sword from all sides,
Rani, who was fighting like a lioness, succumbed to the wounds and fell down. She had to achieve a glorious death in war ( Martyrdom ).
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
17
Rani was martyred in the battlefield.Her departed soul was then riding a divine vehicle, moving towards heavens
the Light of her divine soul met with the divine light in the heavens, she was the real heir of divinity,
She was only thirty years of age. She was not a human; rather she was divine spirit (a holy being),
Who did come, in the gesture of a female freedom fighter, to give us a respectable life of light and freedom ,
She showed us the path of freedom, and taught us the lesson of courage, she taught us what we might have learned.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
18
The people of India will remember this debt of yours (O! Rani Laxmaibai), may you be blessed, dear Rani,
Your this life sacrifice will awake an indestructible soul of freedom in the people,
History may be made silent or if truth is hanged or killed, or if the drinkers become victorious or if they destroy jhansi with cannonballs,
You, by yourself be the memorial of Rani (queen of Jhansi) because you had been an eternal token of courage.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.
Rani Lakshmi Bai, Bravery Woman...
My idol is Rani Lakshmi Bai, The Queen of Jhansi.Originally named Manikarnika at birth (nicknamed Manu), she was born on 19 November 1835 at Kashi (Varanasi) to a Maharashtrian Marathi Karhade Brahmin family as the daughter of Moropant Tambe and Bhagirathibai Tambe. She was also known as Chhabili by the Peshwa of Bithur because of her jolly ways. She lost her mother at the age of four. She was educated at home. Her father Moropant Tambe worked at the court of Peshwa at Bithur. The Peshwa of Bithur brought her up like his own daughter. The younger daughter of Peshwa Bajirao, Prachi, was influenced by Laxmi Bai.
Because of her father's influence at court, Rani Lakshmi Bai had more independence than most women, who were normally restricted to the zenana. She studied self defence, horsemanship, archery, and even formed her own army out of her female friends at court. Shah Dawar was Rani Lakshmibai's best friend.
She was married to Raja Gangadhar Rao Newalkar, the Maharaja of Jhansi in 1842, and became the queen of Jhansi. After their marriage, she was given the name Lakshmi Bai. Rani Lakshmi Bai gave birth to a son (Damodar Rao) in 1851. However, the child died when he was about four months old. After the death of their son, the Raja and Rani of Jhansi adopted Damodar Rao (who was later formally renamed Anand Rao). Anand Rao was the son of Gangadhar Rao's cousin. However, it is said that the Raja of Jhansi never recovered from his son's death, and he died on 21 November 1853.
Because Anand Rao was adopted and not biologically related to the Raja, the East India Company, under Governor-General Lord Dalhousie, was able to install the Doctrine of Lapse, rejecting Rao's claim to the throne. Dalhousie then annexed Jhansi, saying that the throne had become "lapsed" and thus put Jhansi under his "protection". In March 1854, the Rani was given a pension of 60,000 rupees and ordered to leave the palace at the Jhansi fort.
When the Maharaja died, Rani Lakshmi Bai was just eighteen years old, but she didn't lose her courage and took up her responsibility. Being a patriotic woman, Rani was not willing to give the dominion of Jhansi to Britishers and called for an armed force. She successfully assembled an army of rebellions including women and was supported by many freedom fighters like Gulam Gaus Khan, Dost Khan, Khuda Baksh, Sunder-Mundar, Kashi Bai, Lala Bhau Bakshi, Moti Bai, Deewan Raghunath Singh, Tatya Tope and Deewan Jawahar Singh.
In March 1858, Britishers attack on Jhansi forced Rani Lakshmi Bai’s army to fight back for the defense of the city. The war continued for two weeks but unfortunately Britishers were successful in extending their empire. Under the cover of darkness Rani along with her son and army of rebellions rode to Gwalior where again a battle was fought. The second day of the war in Gwalior unfortunately turned to be the last day of Rani’s life. Bravely fighting for India’ freedom, she died on June 18, 1858. Although she died in early ages, her name is still alive on this world. She is really a bravery woman.
Monday, October 29, 2012
معلومات عن قصت حيتها Kratika Sengar
Kratika Sengar | |
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Kratika Sengar at Punar Vivah's Success Party. |
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Born | July 3, 1986 (age 26) Kanpur , India |
Nationality | Indian |
Occupation | Actress |
Years active | 2007–present |
فديو +بعض معلومات عن ملكة جانسيKratika Sengar
Kratika Sengar's fun birthday!
Kratika Sengar celebrates her birthday without any big plans but with lots of small and fun events…
Kratika Sengar who portrays Jhansi Ki Rani in Zee TV's show which goes with the same title, is having a fun time during her birthday in spite of not getting an off!Says Kratika's brother Anurag, "She is working today also. But she's pretty cool about it. She knows that it's her priority. Mom and Dad are in Kanpur and only I'm here on the sets with her. Since she shouldn't feel too blue about being away from parents, her friends from Mumbai have come on the sets to spend time with her."
Kratika sounded chirpier than usual and it was evident she didn't let a 'working day' dampen her spirits. She says, "Thank you so much for wishing me. I haven't made any plans yet but I have a feeling my friends have a surprise in store for me. I'm leaving for Mumbai with them in the evening."
Kratika Sengar performs Bharatnatyam on `Pavitra Rishta
Kratika is a trained Bharatnatyam dancer, and loved the experience of shooting for the episode, to be aired on Zee TV, Saturday.
"I had been out of touch with Bharatnatyam, an art form I had trained in for over five years. But given my love for the form and my training, I was able to pick up the steps rather quickly. I loved the way the entire act was choreographed and the look chosen for me. I hope the audience enjoys it just as much," she added.
Kratika`s dance cameo will be seen alongside exciting dance performances by several actors of the channel. Among other performers are actor Gaurav Chopra, Ravi Dubey, Nandish Sandhu, Kinshuk Mahajan and Narayani Shastri.
Evergreen actor Jeetendra will also make an appearance on the show and partake in a an aarti.
The key actors of ‘Pavitra Rishta’ - Hiten Tejwani, Ankita Lokhande, Rithwik Dhanjani and Asha Negi will be seen performing not just dance acts, but will offer prayers to lord Ganesha and perform Ganesha immersion, in this special episode.